The prophets in the Hebrew Bible had this sublime madness. The words of the Hebrew prophets, as Abraham Heschel wrote, were "a scream in the night. While the world is at ease and asleep, the prophet feels the blast from heaven." The prophet, because he saw and faced an unpleasant reality, was, as Heschel wrote, "compelled to proclaim the very opposite of what his heart expected."
Primo Levi in his memoir "Survival in Auschwitz" tells of teaching Italian to another inmate, Jean Samuel, in exchange for lessons in French. Levi recites to Samuel from memory Canto XXVI of Dante's "The Inferno." It is the story of Ulysses' final voyage.
We cheered, but soon that cheering turned to woe,
for then a whirlwind born from the strange land
battered our little vessel on the prow.
Three times the boat and all the sea were whirled,
and at the fourth, to please Another's will,
the aft tipped in the air, the prow went down,
Until the ocean closed above our bones.
"He has received the message," Levi wrote of his friend and what they shared in Dante, "he has felt that it has to do with him, that it has to do with all men who toil, and with us in particular." Levi goes on. "It is vitally necessary and urgent that he listen, that he understand ... before it is too late; tomorrow he or I might be dead, or we might never see each other again."
The poet Leon Staff wrote from the Warsaw ghetto: "Even more than bread we now need poetry, in a time when it seems that it is not needed at all."
It is only those who harness their imagination, and through their imagination find the courage to peer into the molten pit, who can minister to the suffering of those around them. It is only they who can find the physical and psychological strength to resist. Resistance is carried out not for its success, but because by resisting in every way possible we affirm life. And those who resist in the years ahead will be those who are infected with this "sublime madness." As Hannah Arendt wrote in "The Origins of Totalitarianism," the only morally reliable people are not those who say "this is wrong" or "this should not be done," but those who say "I can't." They know that as Immanuel Kant wrote: "If justice perishes, human life on earth has lost its meaning." And this means that, like Socrates, we must come to a place where it is better to suffer wrong than to do wrong. We must at once see and act, and given what it means to see, this will require the surmounting of despair, not by reason, but by faith.
"One of the only coherent philosophical positions is revolt," Camus wrote. "It is a constant confrontation between man and his obscurity. " It is not aspiration, for it is devoid of hope. That revolt is the certainty of a crushing fate, without the resignation that ought to accompany it."
"... [T]he people noticed that Crazy Horse was queerer than ever," Black Elk said in remembering the final days of the wars of Western expansion. He went on to say of the great Sioux warrior: "He hardly ever stayed in the camp. People would find him out alone in the cold, and they would ask him to come home with them. He would not come, but sometimes he would tell the people what to do. People wondered if he ate anything at all. Once my father found him out alone like that, and he said to my father: "Uncle, you have noticed me the way I act. But do not worry; there are caves and holes for me to live in, and out here the spirits may help me. I am making plans for the good of my people."
Homer, Dante, Beethoven, Melville, Dostoevsky, Proust, Joyce, W.H. Auden, Emily Dickinson and James Baldwin, along with artists such as the sculptor David Smith, the photographer Diane Arbus and the blues musician Charley Patton, all had it. It is the sublime madness that lets one sing, as bluesman Ishman Bracey did in Hinds County, Miss., "I've been down so long, Lawd, down don't worry me." And yet in the mists of the imagination also lie the absurdity and certainty of divine justice:
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