But it all leaves one to wonder if questioning one's parents love is so offensive, what about the adoptive mother screaming that she wants Esther "out" and that she needs to protect "her" children.
"Think about it," asks reviewer Jeffrey Bloomer. "Does "The Exorcist" throw down for the devil because a priest dies in the end? Does seeing "Wrong Turn" mean you'll never drive through West Virginia again? For a more recent example, should every mortgage broker who eschews conscience to bolster her bottom line be dragged to hell?"
It also might make one wonder why the Realtors of Connecticut are not protesting "Haunting in Connecticut" or why airlines are not protecting "Snakes on a Plane"? Why? Because even though the former is base don a true story, they are both horror movies, that's why. They were made to be entertaining, not educational or as warnings. No one in Connecticut has packed up and moved, tourist have not visiting, nor have thousands of travelers stopped flying on airplanes.
Since the "orphan" Esther is not from an orphanage after all a fact anyone who cares knows before having to endure two hours actually seeing it - it seems adoption, with all its horrors, is not the issue in this Warner cinematic creation at all.
"Think about it," asks reviewer Jeffrey Bloomer. "Does "The Exorcist" throw down for the devil because a priest dies in the end? Does seeing "Wrong Turn" mean you'll never drive through West Virginia again? For a more recent example, should every mortgage broker who eschews conscience to bolster her bottom line be dragged to hell?"
It also might make one wonder why the Realtors of Connecticut are not protesting "Haunting in Connecticut" or why airlines are not protecting "Snakes on a Plane"? Why? Because even though the former is base don a true story, they are both horror movies, that's why. They were made to be entertaining, not educational or as warnings. No one in Connecticut has packed up and moved, tourist have not visiting, nor have thousands of travelers stopped flying on airplanes.
Since the "orphan" Esther is not from an orphanage after all a fact anyone who cares knows before having to endure two hours actually seeing it - it seems adoption, with all its horrors, is not the issue in this Warner cinematic creation at all.
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