"Acknowledgments" (p. 19).
Chapter One: "Introduction" (pp. 21-46).
Chapter Two: "Animation" (pp. 47-67).
Chapter Three: "The Psyche: Structure and Contents" (pp. 69-90).
Chapter Four: "Infatuation: How We Animate" (pp. 91-114).
Chapter Five: "Dreams" (pp. 115-152).
Chapter Six: "Marriage and Separation" (pp. 153-196).
Chapter Seven: "Reunion" (pp. 197-238).
Chapter Eight: "The Symbolic Life" (pp. 239-242).
"Epilogue" (pp. 243-245).
"Bibliography" (pp. 247-248).
"Index" (pp. 249-252).
"Notes" pages appear as separate pages at the end of each chapter.
Most of the illustrations scattered throughout the book feature a King figure and a Queen figure. These two features are, of course, related to the optimal and positive form of the King archetype in the human psyche and to the optimal and positive form of the Queen archetype in the human psyche. But, of course, many people in love relationships have not yet learned to access the optimal and positive forms of the King and the Queen archetypes in their psyches.
As a matter of fact, when most young people find themselves involved in a serious love relationship, the young man in the love relationship is usually learning how to access the optimal and positive form of the feminine Lover archetype in his psyche, and the young woman in the love relationship is usually learning how to access the optimal and positive form of the masculine Lover archetype in her psyche.
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