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Sister Carrie and the Leisure Class

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Iftekhar Sayeed
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What of Carrie herself? That she was capable of such sensitivity of feeling testifies to the fact that sensitivity can occur in the absence of wealth – pace Thorstein Veblen. Yet Veblen would have been right about Carrie: her entire view of life was based on the desire for consumption, and a concomitant loathing for production. Therefore, she was sensitive to everything that the leisure class accumulates – from clothes to manners. Veblen makes room for people like Carrie, though: "In modern civilized communities the lines of demarcation between social classes have grown vague and transient, and wherever this happens the norm of reputability imposed by the upper class extends its coercive influence with but slight hindrance down through the social structure to the lowest strata. The result is that the members of each stratum accept as their ideal of decency the scheme of life in vogue in the next higher stratum, and bend their energies to live up to that ideal. On pain of forfeiting their good name and their self-respect in case of failure, they must conform to the accepted code, at least in appearance."

"A woman should some day write the complete philosophy of clothes," writes Dreiser. "No matter how young, it is one of the things she wholly comprehends. There is an indescribably faint line in the matter of man's apparel which somehow divides for her those who are worth glancing at and those who are not. Once an individual has passed this faint line on the way downward he will get no glance from her." It is Drouet's clothes that first draw Carrie's attention on the train to Chicago. And it is partly Hurstoood's clothes that take her away from Drouet. Take the matter of shoes, for instance: "Hurstwood's shoes were of soft, black calf, polished only to a dull shine. Drouet wore patent leather but Carrie could not help feeling that there was a distinction in favour of the soft leather, where all else was so rich."

Hurstwood's own family presents a fascinating picture. He had once loved his wife – long ago. Now he finds himself a 'mere' provider of material things. The presence of a servant in the household is significant.

"The ten rooms of the house were occupied by himself, his wife Julia, and his son and daughter, George, Jr., and Jessica. There were besides these a maid-servant, represented from time to time by girls of various extraction, for Mrs. Hurstwood was not always easy to please.

"'George, I let Mary go yesterday,' was not an unfrequent salutation at the dinner table."

Veblen on servants:

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Iftekhar Sayeed teaches English and economics. He was born and lives in Dhaka, à ‚¬Å½Bangladesh. He has contributed to AXIS OF LOGIC, ENTER TEXT, POSTCOLONIAL à ‚¬Å½TEXT, LEFT CURVE, MOBIUS, ERBACCE, THE JOURNAL, and other publications. à ‚¬Å½He (more...)
 
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